The More I See Wendell Castle, 1997, Polychromed wood, mirror, 2011.1657
The Wave Victor George (Vic) Wood, Turned sassafras, 2011.1672
Three Mile Island Chair Silas Kopf, 2003, Quilted sapele, satinwood, machiche, mother-of-pearl, marquetry, 2011.2136.2
Three Mile Island Desk Silas Kopf, 2003, Quilted sapele, satinwood, machiche, mother-of-pearl, marquetry, 2011.2136.1
Topia Chair Barbara Gallucci, 2008, Cotton Chenille and shredded foam, 2012.422.1-5
Twelve unique mixed media sculptures Carol Eckert, 1992–2000, Cotton over wire, 2012.325-336
Untitled Melvin Lindquist, 1984, Manzanita burl, 2011.1668
Untitled Ronald E. Kent, 1992, Turned Norfolk Island pine, 2011.1665
Untitled John Cederquist, about 1975, Mahogany and leather, 2011.1658
Untitled Paul Heroux, 1985, Electric fired white stoneware with a brushed oxide design. The pink rim is an overglaze applied and refined in a second lower temperature firing. , 2012.159
Untitled Mark Bradford, 2009, Mixed media collage, 2012.132
Untitled Andrew Baldwin, 2006, Blown, wheel cut, kiln formed, hand finished glass, 2012.163
Untitled Tara Donovan, 2003, Styrofoam cups and hot glue, 2011.1905
Untitled Lydia Dona, 2005–06, Acrylic and india ink on paper, 2011.1906
Untitled (Backward Vision Black and White) Jeffrey Gibson, 2010, digitally woven cotton, 2011.504
Untitled (Designs for the Colby Poster Co., Museum of Fine Arts Boston Set) Peter Coffin, 2008, Letterpress ink on coated cardstock, 2011.492.1-10
Untitled (Vessel) Howard Werner, 1994, Carved apple, 2011.1671
Untitled (Vessel) Christian Burchard, 1987, Turned maple burl, 2011.1655
Untitled (Vessel) Edward Moulthrop, 1986, turned figured tulipwood, 2011.1669
Untitled from Phototropism series Jay Macdonell, early 21st century, Blown, colored glass, 2012.161