Advanced Search
Advanced Search

Actor Rankings: Top, R to L: Iwai Matsunosuke I, Bandô Zenji II, Fujikawa Tomokichi II, Nakayama Kamesaburô, Nakamura Chiyobisuke, Yamashina Jinkichi III; bottom, R to L: Sôryô Jinroku II, Segawa Takinosuke (?), Sawamura Tôjûrô I, Ôtani Bajû II, Matsumoto Yonezô I, Nakayama Tatezô


上 「岩井松之助」(初代)、「坂東善次」(二代目)、「藤川友吉」(二代目)、「中山亀三郎」(初代)、「中村千代飛助」、「山科甚吉」(三代目) 下 「惣領甚六」(二代目)、「瀬川滝之助」、「沢村東十郎」(初代)、「大谷馬十」(二代目)、「松本米三」(初代)、「中山楯蔵」
Japanese
Edo period
about 1819–20 (Bunsei 2–3)

Medium/Technique Woodblock print (key block); ink on paper
Dimensions Horizontal ôban; 24.5 x 28.5 cm (9 5/8 x 11 1/4 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.39424
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Similar prints: Kurahashi, Edo kabuki no jôhô bunkashi (2021), pp. 189-239; Suzuki et al., Utagawa Kuniyoshi (1996), #11 (dated 1815)
DescriptionProbably from the same series or polyptych: 11.39423, 11.39424
Another, similar work: 11.26619

Nakayama Tatezô used the name from fall of 1819 to 1821.11.
Signed Unsigned
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.