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Actor Rankings: Top, R to L: Ichikawa Komazô V, Nakamura Shichisaburô IV, Azuma Tôzô IV, Asao Tamejûrô III, Onoe Matsusuke III, Ogino Senka; bottom, R to L: Ichiyama Shichizô II, Ichikawa Takinosuke, Bandô Mitsuemon I, Kiriyama Monji III, Ichikawa Sôzaburo IV, Ichikawa Omezô I


上 「市川こま蔵」(五代目)、「中村七三郎」(四代目)、「吾妻藤蔵」(四代目)、「浅尾為十郎」(三代目)、「尾上松助」(三代目)、「荻野仙花」 下 「市山七蔵」(二代目)、「市川滝之助」、「坂東三津右衛門」(初代)、「桐山門治(=紋治)」(三代目)、「市川宗三郎」(四代目)、「市川男女蔵」(初代)
Artist unknown, Japanese
Publisher: Izumiya Eikichi (Japanese)
Publisher: Kimuraya Shigezô (Japanese)
Japanese
Edo period
about 1819–20 (Bunsei 2–3)

Medium/Technique Woodblock print (key block); ink on paper
Dimensions Horizontal ôban; 23.1 x 30.8 cm (9 1/8 x 12 1/8 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.39423
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Similar prints: Kurahashi, Edo kabuki no jôhô bunkashi (2021), pp. 189-239; Suzuki et al., Utagawa Kuniyoshi (1996), #11 (dated 1815)
DescriptionJointly published (and/or distributed) by Izumiya Eikichi and Kimuraya Shigezô. The former is not listed in Marks; the latter is listed, but said to be active in the 1840s, and this print is clearly much earlier.

Probably from the same series or polyptych: 11.39423, 11.39424
Another, similar work: 11.26619
Signed Unsigned
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.