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「四谷怪談聞書」「坂田の蔵人時行」八代目市川団十郎、「萩野八重きり」十二代目市村羽左衛門、「佐藤与茂七」四代目市川小団次、「与茂七女房お袖」初代坂東しうか
Actors in Yotsuya Kaidan Kikigaki: Ichikawa Danjûrô VIII as Sakata no Kurando Tokiyuki (TR), Ichimura Uzaemon XII as Hagino Yaegiri (TL), Ichikawa Kodanji IV as Satô Yomoshichi (BR), and Bandô Shûka I as Yomoshichi's Wife (Nyôbô) Osode (BL)
「四谷怪談聞書」「坂田の蔵人時行」八代目市川団十郎、「萩野八重きり」十二代目市村羽左衛門、「佐藤与茂七」四代目市川小団次、「与茂七女房お袖」初代坂東しうか
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Publisher: Sanoya Kihei (Kikakudô) (Japanese)
Japanese
Edo period
1848 (Kôka 5/Kaei 1), 9th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36 x 24.5 cm (14 3/16 x 9 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.40321
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.40320, 11.40321
Play (interval): Komochi Yamanba (the two figures in the upper row)
Play (main feature): Manete Mimasu Yotsuya no Kikigaki (the two figures in the lower row)
Theater: Ichimura
嫗山姥（こもちやまんば）、廓はなしの段 常磐津、竹本
当三升四谷聞書（まねてみますよつやのききがき）
市村、一番目と二番目の間
1848、嘉永０１、09・28
坂田の蔵人時行・荻野八重ぎりは「嫗山姥」、佐藤与茂七・与茂七女房お袖は「当三升四谷聞書」に該当。
Play (interval): Komochi Yamanba (the two figures in the upper row)
Play (main feature): Manete Mimasu Yotsuya no Kikigaki (the two figures in the lower row)
Theater: Ichimura
嫗山姥（こもちやまんば）、廓はなしの段 常磐津、竹本
当三升四谷聞書（まねてみますよつやのききがき）
市村、一番目と二番目の間
1848、嘉永０１、09・28
坂田の蔵人時行・荻野八重ぎりは「嫗山姥」、佐藤与茂七・与茂七女房お袖は「当三升四谷聞書」に該当。
Signed
Ôju Ichiyôsai Toyokuni ga
應需一陽斎豊国画
應需一陽斎豊国画
Marks
Censors' seals: Hama, Kinugasa
No blockcutter's mark
改印：浜、衣笠
彫師：なし
No blockcutter's mark
改印：浜、衣笠
彫師：なし
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.