Arai: Woman with Travel Diary, from the series Fifty-three Pairings for the Tôkaidô Road (Tôkaidô gojûsan tsui)

「東海道五十三対 あらゐ 旅日記」

Japanese
Edo period
about 1845–46 (Kôka 2–3)


Catalogue Raisonné

Marks, Kunisada's Tôkaidô (2013), #T78-32; Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 7, Musee Guimet II (1990), fig. 39; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S44.33

Dimensions

Vertical ôban; 35.8 x 24.5 cm (14 1/8 x 9 5/8 in.)

Accession Number

11.45385.32

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Station 32, from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.

MFA impressions: 11.22412, 11.30434 (deaccessioned in 2012), 11.45385.32

Inscription

李花集云
 延元四年春の頃遠江国井伊城浜名の橋かすみ渡り橋本の松原はまの浪かけてはるばると見わたしあたゆふべの気色おもしろくおぼえ侍りければ
夕暮はみれともみことしらすぎの
いり海かけてかすむ松原
       宗良親王

Signed

Ôju Toyokuni ga
応需豊国画

Markings

Censor's seal: Mura
No blockcutter's mark
改印:村
彫師:なし

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection