Bark cloth mask

Uramot Baining
20th century, 1950–2000
Artist unknown, Pacific Islander, Artist Unidentified, Pacific Islander

Object Place: Gazelle Peninsula, New Britain, Papua New Guinea


Overall: 97 x 80 x 50 cm (38 3/16 x 31 1/2 x 19 11/16 in.)

Accession Number


Medium or Technique

Wicker, bark cloth, pigment

Not On View


Africa and Oceania, Contemporary Art



Even today, masquerades play an important part in Baining ceremonial life, and Baining artists create spectacular masks, most of which represent spirit beings-here the spirit of a tree fork. At times masquerades are staged especially for visitors. Westerners, attracted by the dramatic arrangements and startling effects of Baining masks, began collecting them in the late nineteenth century, even though such masks were commonly meant to be discarded in their traditional context.


red plastic label under chin:"100"


1954, acquired in Rabaul, New Britain, Papua New Guinea by Geneviève McMillan (b. 1922 - d. 2008), Cambridge, MA; 2008, to the Geneviève McMillan and Reba Stewart Foundation, Cambridge; 2009, gift of the Geneviève McMillan and Reba Stewart Foundation to the MFA. (Accession Date: June 17, 2009)

Credit Line

Gift of Geneviève McMillan in memory of Reba Stewart