Carmelina

Matisse represented the female nude many times, both in painting and in sculpture. In this striking early work, the rounded forms of Carmelina's body, strongly modeled in light and dark, stand out almost in relief against the pattern of rectangular shapes behind her. The subject of the nude, usually relaxed and seductive, here becomes a confrontation between the boldly posed model and the artist, who is visible in the mirror at the back of the studio.

Inscription

Lower left: Henri Matisse

Provenance

By 1912, Bernheim-Jeune, Paris [see note 1]. 1931, Baron Shigetaro Fukushima (b. 1895 - d. 1960), Paris; 1931, sold by Fukushima, through the Pierre Matisse Gallery, New York, to the MFA for $10,050 [see note 2]. (Accession Date: February 4, 1932)



NOTES:

[1] Bernheim-Jeune et Cie. lent the painting to the "Second Post-Impressionist Exhibition" (Grafton Galleries, London, October 5 - December 31, 1912), cat. no. 9.

[2] MFA accession numbers RES.32.2-RES.32.18 were purchased together for $10,050.

Credit Line

Tompkins Collection—Arthur Gordon Tompkins Fund

Copyright

© 2011 Succession H. Matisse, Paris / Artists Rights Society (ARS), New York.

Carmelina

Dimensions
81.3 x 59 cm (32 x 23 1/4 in.)
Medium or Technique
Oil on canvas
Classification
Paintings
Type
Portrait - Double; Self - Male; Female; Figure; Nude
Accession Number
RES.32.14
On view
Charlotte F. and Irving W. Rabb Gallery (Europe, 1900–1960 / Modernism) - 155

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