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「新板 忠臣蔵十一段続」 「大序」 「二段目」 四段目市川団蔵の高師直・加古川本蔵、初代市川荒五郎の塩冶判官、二代目市川門三郎の桃井若狭之助、二代目瀬川菊三郎の顔世、初代小佐川七蔵の小浪、初代市川おの江のみなせ
(Newly Published) Eleven Continuous Acts of Chûshingura (Shinpan Chûshingura jûichidan tsuzuki), Prologue and Act 2 (Daijo, Nidanme): Actors Ichikawa Danzô as both Kô no Moronao and Kakogawa Honzô, Ichikawa Aragorô I as En'ya Hangan, Ichikawa Monzaburô II as Momonoi Wakasanosuke, Segawa Kikusaburô II as Kaoyo, Osagawa Shichizô I as Konami, and Ichikawa Onoe I as Minase
「新板 忠臣蔵十一段続」 「大序」 「二段目」 四段目市川団蔵の高師直・加古川本蔵、初代市川荒五郎の塩冶判官、二代目市川門三郎の桃井若狭之助、二代目瀬川菊三郎の顔世、初代小佐川七蔵の小浪、初代市川おの江のみなせ
Japanese
Edo period
1801 (Kansei 13/Kyôwa 1), 2nd month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban, right sheet of pentaptych; 36.7 x 24.7 cm (14 7/16 x 9 3/4 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.21485
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Waseda db 100-1040 (R), 100-1041 (C), 100-1042 (CL), 100-1043 (L); Kuwana City Mus., Shodai Utagawa Toyokuni yakusha-e ten (2002), #30 (complete); Akô Mus., Nishiki-e ni miru Chûshingura (1998), #4 (complete)
DescriptionPentaptych: 11.21481-5 (no virtual record; each sheet catalogued separately)
Play: Kanadehon Chûshingura
Theater: Nakamura
仮名手本忠臣蔵（かなでほんちゅうしんぐら）
中村
Play: Kanadehon Chûshingura
Theater: Nakamura
仮名手本忠臣蔵（かなでほんちゅうしんぐら）
中村
Signed
(this sheet unsigned)
無款
無款
Marks
No censor's seal
Publisher's mark on left sheet only
Publisher's mark on left sheet only
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.