Advanced Search
Advanced Search

Ch. 2, Hahakigi, from the series Traces of Genji in Fifty-four Chapters (Omokage Genji gojûyo jô)


「俤源氏五十四帖 二 箒木」
Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 1st month

Medium/Technique Woodblock print (nishiki-e); ink and color on paper
Dimensions Vertical ôban; 36 × 23.6 cm (14 3/16 × 9 5/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.44464
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Marks et al., Genji's World (2012), list #G554-02 (no photo); Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #191-3; Fukuda, Enshoku Genji-e (1991), fig. 89
DescriptionMFA impressions: 11.37391.2, 11.44464

Complete series, from album: 11.37391.1-.54
Signed Baichôrô Kunisada hitsu (on main image); Ryûsai (on fan inset)
梅蝶楼国貞筆、立斎
Marks Censor's seal: (Rat 1 aratame; cut off of this impression)
No blockcutter's mark
No artists' seals
改印:(子正改)
彫師:なし
InscriptionsPoem: Kazu naranu/ fuseya ni ouru/ no no usa ni/ aru ni mo arade [arazu]/ kiyuru hahakigi
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.