Ch. 54, Yume no ukihashi, The End (Taibi): Karukaya Dôshin and Ishidômaru, from the series Modern Imitations of Genji (Imayô nazorae Genji)

「今様擬源氏 五十四 夢浮橋 萱道心 石道丸」

Japanese
Edo period
1864 (Bunkyû 4/Genji 1), 7th month
Artist Utagawa Yoshiiku (Japanese, 1833–1904), Publisher Ômiya Kyûjirô (Kiyûdô) (Japanese)


Dimensions

Vertical ôban; 36 × 23.7 cm (14 3/16 × 9 5/16 in.)

Accession Number

11.41139

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Signed

Chôkarô Yoshiiku ga
朝霞楼芳幾画

Markings

Censor's seal: Rat 7 aratame
No blockcutter's mark
Artist's seal: kiri
改印:子七改
彫師:なし

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection