The Bamana Ci wara association with which this work is identified celebrates the vital spirit of agriculture and, by extension, the fruitfulness of both the earth and humans and the ideas of regeneration. Antelope headdresses, which like nearly all Bamana wood carvings are made by blacksmiths, appear as male and female pairs at sowing and at harvest competitions, as well as at marriages. The female here displays a baby on its back, a feature typical of the type. Affixed to basketry caps, both horizontal and vertical genres exhibit stylized pierced shapes with degrees of abstraction, and are best seen in profile.

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