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Disparate de Tontos (Fool's Folly); plate from the "Disparates" (Follies) series, published in "L'Art", 1877

Drawn and etched 1816-19; printed 1877
Francisco Goya y Lucientes (Spanish, 1746–1828)


Catalogue Raisonné

Harris 269, III; Delteil 0223

Dimensions

Platemark: 24.2 x 35.2 cm (9 1/2 x 13 7/8 in.) Sheet: 29.3 x 43 cm (11 9/16 x 16 15/16 in.)

Accession Number

1974.256

Medium or Technique

Etching, aquatint, sulfur tint or lavis, emery stone, tonal scratches, and burin; posthumous impression Slightly textured, medium, cream laid paper. No watermark.

Not On View

Collections

Europe, Prints and Drawings

Classifications

Prints

Black ink, slight plate tone. Bevel(slight)
Posthumous impression, printed by Francois Liénard, in “L’Art”, 1877 (H. III). With additional scratches and burin.

This plate and three others (H. 266 [a], 267 [b], and 268 [c]) became separated from the other “Disparates” and were never published in the early posthumous printing or the Academia printing of 1864 with the title “Los Proverbios”. They were instead published for the first time, with some trial proofs in various inks and papers, by the printer Francois Liénard, in the French magazine, “L’Art” in 1877. The plates were never numbered or lettered, but invented titles were invented for the “L’Art” printing.

The preferred series title “Disparates” (Follies) is derived from manuscript titles containing the word “Disparate” on fourteen of the working proofs, of which this is one. Beruete and others invented titles containing “Disparate” for the others, except “Modo de Volar” (no. 13).

Inscription

For first edition of 1877, in burin, 1.1., "Goya. inv. et sc." / "L'Art." , b.c.
"ILLUVIA DE TOROS / (Pluie de Taureux)" , l.r. "Fcois Lienard, Imp. Paris"

Provenance

W.G. Russell Allen (1882-1955, Boston)

Credit Line

Bequest of W. G. Russell Allen