Four pillar tapestries (from the series THE LIFE OF POPE URBAN VIII)
50.3586: 563.9 x 121.9 cm (222 x 48 in.) 50.3587: 565.2 x 120 cm (222 1/2 x 47 1/4 in.) 51.2804: 565.2 x 121 cm (222 1/2 x 47 5/8 in.) 52.262: 565.2 x 132.1 cm (222 1/2 x 52 in.)
50.3586, 50.3587, 51.2804, 52.262
Medium or Technique
Tapestry weave (wool warp; wool and silk wefts)
Not On View
Four pilaster panel tapestries commemorating the life of Pope Urban VIII.
This tapestry bears a double portrait of Antonio Barberini and his wife Camilla Barbadora, the parents of Maffeo Barberini, late Pope Urban VIII. The design consists of a medallion woven with several shades of yellow, bearing profile portraits of a man and a woman surround by the words ANTONIVS BARBERINVS ET CAMMILLA BARBADORA PARENTES (“Antonio Berberini and Camilla Barbadora: parents”) Below the medallion is a pedestal with conventionalized foliated ornament and the Barberini bee woven with yellow. The ground behind the pedestal is red. Above is a red swag with pendants of laurel leaves, a mask (man) and a large yellow jar filled with fruit and flowers. Repairs, some slits.
This tapestry illustrates a medallion woven with several shades of yellow showing the interior of a library where a man in a long gown writes in a book. Around the edge are the words PROTONOT AP CONCILIATI ECCLESIAE REG REGALIVMQ SPONSAL TAB CONFICIT (“The apostolic protonotary completes the documents of the betrothal of the King who, with his princes, has been reconciled to the Church.”) Below the medallion is a pedestal with conventionalized foliated ornament and the Barberini bee woven with yellow. The ground behind the pedestal is red. Above is a red swag with pendants of laurel leaves, a mask (man) and a large yellow jar of flowers. Repairs, some slits.
This tapestry illustrates the facade of the church of Sta. Bibiana in Rome in a medallion, surmounted by a pediment bearing a cross, the papal tiara, keys, and shield with the Barberini arms. Around the building are the words AEDE S BIBIANAE RESTITVTA ET ORNATA (“The church of Saint Bibiana rebuilt and embellished.”) Below the medallion is a pedestal with conventionalized foliated ornament and the Barberini bee woven with yellow The ground behind the pedestal is red. Above is a red swag with pendants of laurel leaves, a mask (woman) and a large yellow jar filled with flowers. Repairs and some slits.
This tapestry represents the facade of the Palazzo dell’Annona in Rome within a medalion woven wih several shades of yellow and orange, on which is a building with the papal tiara, keys, and a shield bearing the Barberini arms over the door. Around the building are the words VBERIORI ANNONAE COMMODO (“I provide for a richer harvest.”) Below the medallion is a pedestal with conventionalized foliated ornament and the Barberini bee woven with yellow. The ground behind the pedestal is red. Above is a red swag with pendants of laurel leaves, a mask (woman) and a large yellow jar filled with flowers. Repairs, some slits.
Between 1663 and 1679, created for the Barberini family, Palazzo Barberini, Rome [see note 1]; last quarter of the 19th century, series removed from the Palazzo Barberini and sold. By 1928, Altkunst Antiquitäten, Berlin; April 26-27, 1935, Altkunst liquidation sale, Paul Graupe, Berlin, lot 702, sold for RM 530 [see note 2]. About 1935, acquired from an unknown dealer by Eugene L. Garbáty (b. 1880 - d. 1966), Berlin, Paris, and New York [see note 3]; 1951, gift of Eugene Garbáty to the MFA. (Accession Date: December 13, 1951)
 The four related tapestries in the collection of the MFA (accession nos. 50.3586, 50.3587, 51.2804, and 52.262) are from a series produced by the tapestry manufactory established in Rome by Cardinal Francesco Barberini during the pontificate of his uncle, Maffeo Barberini (d. 1644), who became Pope Urban VIII. This series, begun in 1663 and finished in 1679 (though largely complete in 1676), was woven to celebrate the life and achievements of Urban VIII. There were ten narrative scenes; the four MFA tapestries are from a group of 14 vertical panels that flanked the narrative scenes laterally. For a detailed discussion of the series and additional bibliography, see James Gordon Harper, "The Barberini Tapestries of the Life of Pope Urban VIII" (Ph.D. diss., University of Pennsylvania, 1988) and Pascale-François Bertrand, "Un grand décor tissé à Rome au XVIIe siècle: la Vie due Pape Urbain VIII," Mélanges de l'Ecole français de Rome. Italie et Méditerranée, 106, no. 2 (1994): pp. 639-682.
 The four MFA tapestries were sold as part of a lot of eight lateral panels from the Barberini series. They were first published as being with Altkunst by Heinrich Göbel, Wandteppiche und ihre Manufakturen in Frankreich, Italien, Spanien und Portugal, part II, Die Romanischen Länder (Leipzig: Klinkhardt & Biermann, 1928), vol. 1, p. 421.
 In 1950, Eugene Garbáty told the MFA that he had acquired six of the Barberini panels around 1935 from "an art dealer who supposedly sold them upon request of the owner, from Springfeld Castle, near Graz, Steiermark, Austria." Garbáty fled Nazi Germany in 1938, after the family company (of which he was part owner), Garbáty Zigarettenfabrik, was Aryanized, or sold to non-Jewish owners. He took the six tapestries with him to Paris. When he left for the United States in 1939, he left two of the tapestries in Paris and never recovered them. The four remaining tapestries in his possession he gave to the MFA between 1950 and 1952.
Altkunst Antiquitäten, the Berlin art gallery that owned the four Barberini tapestries, was part of Margraf and Co., a group of art galleries run by Jakob and Rosa Oppenheimer. In 1933, the Oppenheimers, who were Jewish, fled Germany to avoid Nazi persecution and relocated to France. In their absence they were forced out of their management roles at Margraf and were forbidden from performing any legal transactions for the company. Margraf was extinguished as quickly as possible by the Nazi regime. The gallery stock was sold off rapidly in a series of auctions held in Berlin in 1935. The MFA tapestries were included in one of these forced liquidation sales. The MFA contacted the Oppenheimer heirs in 2010 to inform them of the tapestries' location, and a settlement allowing the MFA to retain the works was reached in March 2011.
For further information, please see "Resolved Claims" at http://www.mfa.org/collections/provenance/nazi-era-provenance-research
Gift of Eugene L. Garbáty in memory of his parents, Josef and Rosa Garbáty and Charles Potter Kling Fund