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Fragments of shawabtys of King Shebitka
Nubian
Napatan Period, reign of Shebitka
712–698 B.C.
Findspot: Nubia (Sudan), el-Kurru, Pyramid 18
Medium/Technique
Faience
Dimensions
Largest: 2.4 cm (15/16 in.)
Smallest: 1.4 cm (9/16 in.)
Smallest: 1.4 cm (9/16 in.)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
Accession Number19-4-141a.4
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThese are three shawabty fragments, one of which has traces of text and the other two appear to be feet, belonging to King Shebitka. When complete, a shawabty of King Shebitka typically wears a tripartite wig, has a long beard which is often painted black; and has one unframed column of painted text on the front of the figure, which when legible reads 'Osiris, the king of Upper and Lower Egypt, Shebitka.' The mummiform shape does not have a back pillar or base or hands.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceFrom Nubia (Sudan), el-Kurru, Pyramid 18 (tomb of Shebitka).1919: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.