20th century, 1920–70
Duga of Meko (Beninese, active 1920–1970)
Object Place: Republic of Benin
Overall (with lid): 54 x 55 x 42 cm (21 1/4 x 21 5/8 x 16 9/16 in.) Overall (without lid): 45 x 32 x 33 cm (17 11/16 x 12 5/8 x 13 in.) Overall (lid alone): 8.5 cm (3 3/8 in.)
Medium or Technique
Wood , pigment
Not On View
Gelede masquerades celebrate the special powers of female spirits known as, “the mothers”. The mothers possess a powerful life force (ase), which can be used for benevolent of malevolent purposes. The destructive capacity of “the mothers” is called “aje” and is associated with infertility, impotency, and infant mortality. However, “the mothers” also have a benevolent influence that can cure illness and equitably disperse wealth, power, and prestige amongst the Yoruba. The ultimate goal of gelede performances is the maintenance of harmony in the community. The festival consists of a nighttime performance (efe), and an afternoon spectacle, when maskers usually appear in pairs and allude to social roles-the merchant, the market woman, the blacksmith, a man on a bicycle, and the hunter.
This headdress of a woman with an elaborate head tie is from the hand or workshop of the Yoruba master carver Duga of Meko. The superstructure shows a tray that supports a large bowl with smaller dishes sitting on its removable lid. A rolled-up mat on top completes this image of a woman headed to market.
1970s, sold by a Mr. Kabah, Cambridge, MA to Geneviève McMillan (b. 1922 - d. 2008), Cambridge, MA; 2008, to the Geneviève McMillan and Reba Stewart Foundation, Cambridge; 2009, gift of the Geneviève McMillan and Reba Stewart Foundation to the MFA. (Accession Date: June 17, 2009)
Gift of Geneviève McMillan in memory of Reba Stewart