Head of a pharaoh

Egyptian
Hellenistic Period (Ptolemaic Dynasty)
3rd–2nd century B.C.


Dimensions

Height x width x depth: 24.1 x 19.1 x 21.6 cm (9 1/2 x 7 1/2 x 8 1/2 in.) Mount: 22.9 x 12.7 x 12.7 cm (9 x 5 x 5 in.)

Accession Number

2007.347

Medium or Technique

Plaster

Not On View

Collections

The Ancient World

Classifications

Sculpture

Life-size sculptures that do not represent complete figures are exceedingly rare in Egyptian art, and the function of those that do exist is unknown. This head is one of that rare group and it probably represents King Ptolemy II, the first of the great Greek ruling generals of Egypt. Also rare is the fact that it is made of plaster.

The king wears a nemes headdress, the lappet of which is preserved only on the proper left side. The raised upper band of the nemes runs parallel to the forehead. In the center is a slight protrusion which marks the uraeus. The sculpture terminates in a flat surface above the band of the nemes, and that area is marked by deep parallel grooves into which might have slotted an additional headdress. The bottom of the sculpture takes the shape of a rough curve which encompasses the base of the neck and the edge of the lappet. The back is concave, and what look like finger marks run horizontally across the surface. The head was probably made in a clay mould, and the marks would have resulted from the pressing of the slightly hardened plaster into the mould.

Provenance

According to information provided by Rupert Wace Ancient Art Limited in 2007, acquired by Hans Hesslein, San Francisco, "between the end of World War II and about 1960"; October 30, 2006, consigned by the heirs of Hans Hesslein to Bonhams & Butterfields, San Francisco (Sale 14033, lot 1479); purchased by Rupert Wace Ancient Art Limited, London, England, at the Bonhams & Butterfields Sale.

Credit Line

Museum purchase with funds from the Norma Jean and Stanford Calderwood Discretionary Fund, Norma Jean Calderwood Acquisition Fund, Egyptian Curator's Fund, Brian J. Brille Acquisition Fund for Ancient Egyptian Art, Miguel and Barbara de Bragança Fund, Mary E. Moore Gift, MFA Senior Associates and MFA Associates Fund for Egyptian Acquisitions, Barbara W. and Joanne A. Herman Fund for Egyptian Acquisitions, and the Ernest Kahn Fund