Hosokute: Horikoshi Dairyô, from the series Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)
「木曾街道六十九次之内 細久手 堀越大領」
Japanese
Edo period
1852 (Kaei 5), 7th month
Artist Utagawa Kuniyoshi (Japanese, 1797–1861)
Catalogue Raisonné
MFA, Kuniyoshi & Kunisada (2016), #30; Ôta Mem. Mus., Edo yôkai dai zukan (2014), #125; Thompson, Sixty-nine Stations (2009), #49; Keyes, Ainsworth cat. (1984), #536; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S74.50
Dimensions
Vertical ôban; 36 x 25.2 cm (14 3/16 x 9 15/16 in.)
Accession Number
11.37106
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
Collections
Classifications
No. 49 in the series.
MFA impressions: 11.28766, 11.29009.50, 11.37106, 11.38972.50
Signed
Ichiyûsai Kuniyoshi ga
一勇斎国芳画
Markings
Censors' seals: Mera, Watanabe, Rat 7
Blockcutter's mark: Hori Takichi
Artist's seal: kiri
改印:米良、渡邊、子七
彫師:彫多吉
Provenance
By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
Credit Line
William Sturgis Bigelow Collection