Hyaku (100; = Hi) Brigade, Second Group, Asaba-chô: Actor Iwai Shijaku II as Mottoi Bunshichi, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)

「江戸の花名勝会 百 二番組」 「茅場町」 「元結文七 岩井紫若」(二代目)

Japanese
Edo period
1865 (Genji 2/Keiô 1), 1st month
Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Other artist Utagawa Hiroshige II (Shigenobu) (Japanese, 1826–1869), Other artist Utagawa Kunihisa II (Japanese, 1832–1891), Publisher Katôya Iwazô (Seibei) (Japanese), Blockcutter Koizumi Minokichi (Hori Mino) (Japanese, 1833–1906)


Dimensions

Vertical ôban; 36.3 x 24.7 cm (14 5/16 x 9 3/4 in.)

Accession Number

11.42492

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Published after the death of the main artist, Kunisada I/Toyokuni III.

The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.

Signed

Toyokuni ga, in toshidama cartouche (bottom right); Hiroshige ga (bottom left); Kunihisa ga (top)

豊国画(年玉枠)、広重画、国久画

Markings

Censor's seal: Ox 1 aratame
Blockcutter's mark: Hori Mino

改印:丑正改
彫師:彫巳の

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection