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市村座辻番付 「青砥稿花紅彩画（あおとぞうしはなのにしきえ）」、「魁源平躑躅（さきがけげんぺいつつじ）」、「浄瑠理 春宵色夕闇（はるのよいいろとゆうやみ）」、「浄瑠理 助六所縁江戸桜（すけろくゆかりのえどざくら）」
View: Left half
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Aoto Zôshi Hana no Nishiki-e, Sakigake Genpei Tsutsuji, Haru no Yoi Iro to Yûyami (Jôruri), Sukeroku Yukari no Edo-zakura (Jôruri)
市村座辻番付 「青砥稿花紅彩画（あおとぞうしはなのにしきえ）」、「魁源平躑躅（さきがけげんぺいつつじ）」、「浄瑠理 春宵色夕闇（はるのよいいろとゆうやみ）」、「浄瑠理 助六所縁江戸桜（すけろくゆかりのえどざくら）」
Japanese
Edo period
1862 (Bunkyû 2), 2nd month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
34.4 x 63 cm (13 9/16 x 24 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28245
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Edo-Tokyo Museum, Edo kabuki (1995), #5-28
DescriptionMFA impressions: 11.28160, 11.28245
Play: Aoto Zôshi Hana no Nishiki-e
Play: Sakigake Genpei Tsutsuji
Play (Jôruri): Haru no Yoi Iro to Yûyami
Play (Jôruri): Sukeroku Yukari no Edo-zakura
Theater: Ichimura
1862、壬戌、文久０２、02・25
市村
青砥稿花紅彩画（あおとぞうしはなのにしきえ）、１番目、５番続
魁源平躑躅（さきがけげんぺいつつじ）、扇屋の段
浄瑠理 春宵色夕闇（はるのよいいろとゆうやみ）、１番目４立目、清元
浄瑠理 助六所縁江戸桜（すけろくゆかりのえどざくら）、２番目大切、河東
７代目市川海老蔵三回忌、８代目市川団十郎七回忌追善と口上にあり。
Play: Aoto Zôshi Hana no Nishiki-e
Play: Sakigake Genpei Tsutsuji
Play (Jôruri): Haru no Yoi Iro to Yûyami
Play (Jôruri): Sukeroku Yukari no Edo-zakura
Theater: Ichimura
1862、壬戌、文久０２、02・25
市村
青砥稿花紅彩画（あおとぞうしはなのにしきえ）、１番目、５番続
魁源平躑躅（さきがけげんぺいつつじ）、扇屋の段
浄瑠理 春宵色夕闇（はるのよいいろとゆうやみ）、１番目４立目、清元
浄瑠理 助六所縁江戸桜（すけろくゆかりのえどざくら）、２番目大切、河東
７代目市川海老蔵三回忌、８代目市川団十郎七回忌追善と口上にあり。
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.