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市村座辻番付 「八幡祭小望月賑（はちまんまつりよみやのにぎわい）」、「浄瑠璃 三五月須磨写絵（さんごのつきすまのうつしえ）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Hachiman Matsuri Yomiya no Nigiwai, Sango no Tsuki Suma no Utsushi-e (Jôruri)
市村座辻番付 「八幡祭小望月賑（はちまんまつりよみやのにぎわい）」、「浄瑠璃 三五月須磨写絵（さんごのつきすまのうつしえ）」
Japanese
Edo period
1860 (Ansei 7/Man'en 1), 7th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
35.8 x 45.3 cm (14 1/8 x 17 13/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28148
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 11.28145, 11.28148
Tsuji banzuke for the kabuki drama "Hachiman matsuri yomiya no nigiwai" and the Kiyomoto-style Jôruri play titled "Sango no tsuki suma no utsushi e", which were staged at the Ichimura Theater (Edo) from the 13th day of the 7th lunar month of Man'en 1 (1860). The banzuke was jointly published by Fukuchi Mohei and Yamamoto Jûgorô.
「八幡祭小望月賑」 はちまんまつりよみやのにぎわい
浄瑠璃： 「三五月須磨写絵」 さんごのつきすまのうつしえ
市村座、江戸
万延01(1860) ・07月 ・13日より
版元備考： 福地 茂兵衛、山本 重五郎
Tsuji banzuke for the kabuki drama "Hachiman matsuri yomiya no nigiwai" and the Kiyomoto-style Jôruri play titled "Sango no tsuki suma no utsushi e", which were staged at the Ichimura Theater (Edo) from the 13th day of the 7th lunar month of Man'en 1 (1860). The banzuke was jointly published by Fukuchi Mohei and Yamamoto Jûgorô.
「八幡祭小望月賑」 はちまんまつりよみやのにぎわい
浄瑠璃： 「三五月須磨写絵」 さんごのつきすまのうつしえ
市村座、江戸
万延01(1860) ・07月 ・13日より
版元備考： 福地 茂兵衛、山本 重五郎
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.