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市村座辻番付 「棹歌恋白浪（さほのうたこいのしらなみ）」、「信田妻名残狐別（しのだづまなごりのこわかれ）」「浄瑠理 道行 爰双吾妻菊（ここにふたりわがつまぎく）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Sao no Uta Koi no Shiranami, Shinoda-zuma Nagori no Kowakare, Koko ni Futari Wagatsuma-giku (Jôruri)
市村座辻番付 「棹歌恋白浪（さほのうたこいのしらなみ）」、「信田妻名残狐別（しのだづまなごりのこわかれ）」「浄瑠理 道行 爰双吾妻菊（ここにふたりわがつまぎく）」
Japanese
Edo period
1802 (Kyôwa 2), 8th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
33.4 x 47.5 cm (13 1/8 x 18 11/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.27690
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionMFA impressions: 00.1534, 11.27690
Play: Sao no Uta Koi no Shiranami
Play: Shinoda-zuma Nagori no Kowakare
Play (Jôruri): Koko ni Futari Wagatsuma-giku
Theater: Ichimura
1802、壬戌、享和０２、08・01
市村
棹歌恋白浪（さおのうたこいのしらなみ）、１番目、５幕
信田妻名残狐別（しのだづまなごりのこわかれ）、２番目切狂言、３幕 花見の場、安部館の場、信田の場
浄瑠理 爰双吾妻菊（ここにふたりわがつまぎく）、２番目大詰 、富本
８月晦日迄。瀬川路考名残狂言。これは卯月中旬よりの大病から本復した路考が讃州を参詣するためと口上にあり。
Play: Sao no Uta Koi no Shiranami
Play: Shinoda-zuma Nagori no Kowakare
Play (Jôruri): Koko ni Futari Wagatsuma-giku
Theater: Ichimura
1802、壬戌、享和０２、08・01
市村
棹歌恋白浪（さおのうたこいのしらなみ）、１番目、５幕
信田妻名残狐別（しのだづまなごりのこわかれ）、２番目切狂言、３幕 花見の場、安部館の場、信田の場
浄瑠理 爰双吾妻菊（ここにふたりわがつまぎく）、２番目大詰 、富本
８月晦日迄。瀬川路考名残狂言。これは卯月中旬よりの大病から本復した路考が讃州を参詣するためと口上にあり。
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.