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市村座辻番付 「鶴松扇曽我（つるはちとせすえひろそが）」、「浄瑠璃 姿替霞仮宅（ひきぬいでかすみのにどみせ）」、「夢結蝶鳥追（ゆめむすぶちょうにとりおい）」、「浄瑠璃 梅柳恋道連（うめやなぎこいのみちづれ）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Tsuruha Chitose Suehiro Soga, Hikinuide Kasumi no Nidomise (Jôruri), Yume Musubu Chô ni Torioi, Ume Yanagi Koi no Michizure (Jôruri)
市村座辻番付 「鶴松扇曽我（つるはちとせすえひろそが）」、「浄瑠璃 姿替霞仮宅（ひきぬいでかすみのにどみせ）」、「夢結蝶鳥追（ゆめむすぶちょうにとりおい）」、「浄瑠璃 梅柳恋道連（うめやなぎこいのみちづれ）」
Japanese
Edo period
1856 (Ansei 3), 3rd month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
34.3 x 48.1 cm (13 1/2 x 18 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28088
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTsuji banzuke for the headlining kabuki dance drama "Tsuruha chitose suehiro soga" and the Tokiwazu-style Jôruri piece "Hikinuide kasumi no nidomise" that were staged at the Ichimura Theater (Edo) from the 3rd day of the 3rd lunar month of Ansei 3 (1856). The day's program also included the dance drama "Yume musubu chô ni torioi", and the Tomimoto-style Jôruri piece "Ume yanagi koi no michizure". The banzuke was published by Fukuchi Mohei and Yamamoto Jûgorô.
所作事題： 「鶴松扇曽我」 つるはちとせすえひろそが
浄瑠璃： 「姿替霞仮宅」 ひきぬいでかすみのにどみせ
所作事題： 「夢結蝶鳥追」 ゆめむすぶちょうにとりおい
浄瑠璃： 「梅柳恋道連」 うめやなぎこいのみちづれ
市村座、江戸
安政03(1856) ・03月 ・03日より
版元備考： 福地 茂兵衛、山本 重五郎
所作事題： 「鶴松扇曽我」 つるはちとせすえひろそが
浄瑠璃： 「姿替霞仮宅」 ひきぬいでかすみのにどみせ
所作事題： 「夢結蝶鳥追」 ゆめむすぶちょうにとりおい
浄瑠璃： 「梅柳恋道連」 うめやなぎこいのみちづれ
市村座、江戸
安政03(1856) ・03月 ・03日より
版元備考： 福地 茂兵衛、山本 重五郎
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.