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市村座辻番付 「梅柳魁双紙（うめやなぎさきがけぞうし）」、「三拾三間堂棟由来（さんじゅうさんげんどうむなぎのゆらい）」、「五大力恋翻（ いつまでぐさうきなのかえうた）」、「浄瑠璃 梅艶解仇夢（はるつげぐさえにしのあだゆめ）」、「浄瑠璃 廓操無間の鐘優（さとのみさおむけんのかねごと）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Ume Yanagi Sakigake Zôshi, Sanjûsangendô Munagi no Yurai, Itsumadegusa Ukina no Kaeuta, Haru Tsugegusa Enishi no Ada Yume (Jôruri), Sato no Misao Muken no Kanegoto (Jôruri)
市村座辻番付 「梅柳魁双紙（うめやなぎさきがけぞうし）」、「三拾三間堂棟由来（さんじゅうさんげんどうむなぎのゆらい）」、「五大力恋翻（ いつまでぐさうきなのかえうた）」、「浄瑠璃 梅艶解仇夢（はるつげぐさえにしのあだゆめ）」、「浄瑠璃 廓操無間の鐘優（さとのみさおむけんのかねごと）」
Japanese
Edo period
1854 (Kaei 7/Ansei 1), 3rd month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
34.3 x 47.3 cm (13 1/2 x 18 5/8 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28060
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTsuji banzuke for the kabuki dramas "Ume yanagi sakigake zôshi", "Sanjûsangendô munagi no yurai", "Itsumadegusa ukina no kaeuta". These were staged at the Ichimura Theater (Edo) from the 7th day of the 3rd lunar month of Kaei 7 (1854). The day's program also included two Jôruri pieces: "Haru tsugegusa enishi no ada yume" that was performed in the Tomimoto-style; and "Sato no misao muken no kanegoto" that was performed in the Tokiwazu and Takemoto-styles. The banzuke was jointly published by Fukuchi Mohei and Yamamoto Jûgorô.
「梅柳魁双紙」 うめやなぎさきがけぞうし
「三拾三間堂棟由来」 さんじゅうさんげんどうむなぎのゆらい
「五大力恋翻」 いつまでぐさうきなのかえうた
浄瑠璃： 「梅艶解仇夢」 はるつげぐさえにしのあだゆめ
浄瑠璃： 「廓操無間の鐘優」 さとのみさおむけんのかねごと
市村座、江戸
嘉永07(1854) ・03月 ・07日より
版元備考： 福地 茂兵衛、山本 重五郎
「梅柳魁双紙」 うめやなぎさきがけぞうし
「三拾三間堂棟由来」 さんじゅうさんげんどうむなぎのゆらい
「五大力恋翻」 いつまでぐさうきなのかえうた
浄瑠璃： 「梅艶解仇夢」 はるつげぐさえにしのあだゆめ
浄瑠璃： 「廓操無間の鐘優」 さとのみさおむけんのかねごと
市村座、江戸
嘉永07(1854) ・03月 ・07日より
版元備考： 福地 茂兵衛、山本 重五郎
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.