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市村座辻番付 「増補天網島(ぞうほてんのあみじま) 月」、「北条時頼記(ほうじょうじらいき ) 雪」、「昔形松白藤( むかしもようまつにしらふじ) 花」、「讐両人合法(かたきうちににんがっぽう)」
Kabuki Playbill (Tsuji banzuke) for Plays at the Ichimura Theater: Zôho Ten no Amijima (Moon), Hôjô Jiraiki (Snow), Mukashi Moyô Matsu ni Shirafuji (Flowers), Katakiuchi Ninin Gappô
市村座辻番付 「増補天網島(ぞうほてんのあみじま) 月」、「北条時頼記(ほうじょうじらいき ) 雪」、「昔形松白藤( むかしもようまつにしらふじ) 花」、「讐両人合法(かたきうちににんがっぽう)」
Japanese
Edo period
1844 (Tenpô 15/Kôka 1), 9th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
28.7 x 39.2 cm (11 5/16 x 15 7/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.27720
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTsuji banzuke for the kabuki dramas "Zôho Ten no Amijima", "Hôjô jiraiki", and a Kiyomoto-style Jôruri piece titled "Mukashi moyô matsu ni shirafuji", representing "Moon," "Snow," and "Flowers" respectively. This program was staged at the Ichimura Theater (Edo) from the 27th day of the 9th lunar month of 1844. "Katakiuchi ninin Gappô", which had opened in the 8th month, was the main feature of this kabuki production. The banzuke was jointly published by Fukuchi Mohei and Yamamoto Jûgorô.
「増補天網島」 ぞうほてんのあみじま
「北条時頼記」 ほうじょうじらいき
浄瑠璃: 「昔形松白藤」 むかしもようまつにしらふじ
「讐両人合法」 かたきうちににんがっぽう (興行名)
市村座、江戸
天保15(1844) ・09月 ・27日より
版元備考:福地 茂兵衛、山本 重五郎
「増補天網島」 ぞうほてんのあみじま
「北条時頼記」 ほうじょうじらいき
浄瑠璃: 「昔形松白藤」 むかしもようまつにしらふじ
「讐両人合法」 かたきうちににんがっぽう (興行名)
市村座、江戸
天保15(1844) ・09月 ・27日より
版元備考:福地 茂兵衛、山本 重五郎
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.