Advanced Search 
森田座辻番付 「挿頭菖蒲閏高綱（かざしのはなめぐみのたかつな）」、「重扇寿松若（かさねおうぎちよのまつわか）」、「鬼一法眼三略巻（きいちほうげんさんりゃくのまき）」、「浄瑠璃 花狂☆恋双（はなくるうつばさのこいなか）」
Kabuki Playbill (Tsuji banzuke) for Plays at the Morita Theater: Kazashi no Hana Megumi no Takatsuna, Kasane Ôgi Chiyo no Matsuwaka, Kiichi Hôgen Sanryaku no Maki, Hana Kuru Utsubasa no Koi Naka (Jôruri)
森田座辻番付 「挿頭菖蒲閏高綱（かざしのはなめぐみのたかつな）」、「重扇寿松若（かさねおうぎちよのまつわか）」、「鬼一法眼三略巻（きいちほうげんさんりゃくのまき）」、「浄瑠璃 花狂☆恋双（はなくるうつばさのこいなか）」
Japanese
Edo period
1857 (Ansei 4), intercalary 5th month
Medium/Technique
Woodblock print (sumizuri-e); ink on paper
Dimensions
34.5 x 48.2 cm (13 9/16 x 19 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.28106
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
DescriptionTsuji banzuke for the kabuki dramas "Kazashi no hana megumi no takatsuna", "Kasane ôgi chiyo no matsuwaka" and "Kiichi Hôgen sanryaku no maki". These were staged at the Morita Theater (Edo) from the 5th day of the 5th intercalary month of Ansei 4 (1857). The day's program also included a Tomimoto-style Jôruri piece titled "Hana kuru utsubasa no koi naka". The banzuke was published by Ogawa Hansuke.
「挿頭菖蒲閏高綱」 かざしのはなめぐみのたかつな
「重扇寿松若」 かさねおうぎちよのまつわか
「鬼一法眼三略巻」 きいちほうげんさんりゃくのまき
浄瑠璃： 「花狂☆恋双」 はなくるうつばさのこいなか
森田座、江戸
安政04(1857) ・05閏月 ・05日より
版元備考： 小川 半助
「挿頭菖蒲閏高綱」 かざしのはなめぐみのたかつな
「重扇寿松若」 かさねおうぎちよのまつわか
「鬼一法眼三略巻」 きいちほうげんさんりゃくのまき
浄瑠璃： 「花狂☆恋双」 はなくるうつばさのこいなか
森田座、江戸
安政04(1857) ・05閏月 ・05日より
版元備考： 小川 半助
Signed
Unsigned
無款
無款
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.