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「十六番続 江島記行 神奈川」
Kanagawa, from the series Souvenirs of Enoshima, a Set of Sixteen (Enoshima kikô, jûrokuban tsuzuki)
「十六番続 江島記行 神奈川」
Totoya Hokkei (Japanese, 1780–1850)
Japanese
Edo period
1833 (Tenpô 4)
Medium/Technique
Woodblock print (surimono); ink, color, gold, silver, and mica on paper
Dimensions
Shikishiban; 21 x 17.9 cm (8 1/4 x 7 1/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.19810
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Chiba Museum, Edo no surimono (1997), #588; Polster & Marks, Surimono (1980), p. 143; TNM Ukiyo-e cat. 3 (1963), #3907; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #132
DescriptionMFA impressions: 11.19810, 11.30428
Spring kyôka for the Manji poetry club.
Poems translated in Polster & Marks 1980, p. 141.
春の夜の月のくらけのされことに いけすの蛸も吸つきやせむ 竹室高実
わたつ海を庭にとり入れて見る人の春の心そいとゝひろかる 森岡亭海近
Spring kyôka for the Manji poetry club.
Poems translated in Polster & Marks 1980, p. 141.
春の夜の月のくらけのされことに いけすの蛸も吸つきやせむ 竹室高実
わたつ海を庭にとり入れて見る人の春の心そいとゝひろかる 森岡亭海近
Signed
Hokkei
北渓
北渓
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.