Kanagawa in Musashi Province: Distant View of Yokohama (Yokohama enbô), from the series Calligraphy and Pictures for the Fifty-three Stations of the Tôkaidô (Shoga gojûsan eki)

「書画五拾三駅 武蔵 神奈川 横浜 眺望」

Japanese
Meiji era
1872 (Meiji 5), 10th month
Artist Utagawa Yoshimori (Japanese, 1830–1884), Publisher Sawamuraya Seikichi (Japanese)


Catalogue Raisonné

MFA/Geidai, Double Impact (2015), #11; Ukiyo-e daijiten (2008), p. 544; Ôta Memorial Museum of Art, Utagawa-ha (Kobijutsu special issue, 1986), #324; Tamba (Tanba), Ukiyo-e Edo kara Hakone made (1963), #150

Dimensions

Vertical ôban; 36 x 24 cm (14 3/16 x 9 7/16 in.)

Accession Number

11.41431

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

No. 4 in the series.

Signed

Zen Yoshimori Kôsai shasei (Drawn from life by Kôsai, formerly Yoshimori)

Markings

Censor's seal: Water Monkey (Jinshin, mizunoe saru) 10
No blockcutter's mark

改印:壬申十
彫師:なし

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the Museum of Fine Arts, Boston. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection