Kusatsu: Tawara Tôda and the Dragon Woman (Ryûjo), from the series Fifty-three Pairings for the Tôkaidô Road (Tôkaidô gojûsan tsui)
「東海道五十三対 草津 田原藤太 龍女」
Haubner, Die Macht des Bogens (2014), pp. 162-3; Marks, Kunisada's Tôkaidô (2013), #T78-53; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S44.54
Vertical ôban; 35.6 x 24.6 cm (14 x 9 11/16 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
Station 53, from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.
MFA impressions: 11.25027, 11.45385.53
延喜八年秀郷勢田の橋を過るに龍婦女と化して 三上山の百足を亡し給はれと願ふ よって秀郷かの蚣（むかで）を射る すなはちその恩として龍宮へ伴ひあまたの宝をおくる
Ichiyûsai Kuniyoshi ga
Censor's seal: Mura
No blockcutter's mark
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection