Lao Laizi (Rôraishi): (Actor Iwai Kumesaburô III as) Omiwa, with (Nakamura Kantarô and an unidentified actor as) Court Ladies (Kô no tsubone, Kan no tsubone), from the series Matches for the Twenty-four Paragons of Filial Piety (Mitate nijûshi kô)

「見立廿四孝 老来子(らうらいし)」「こうの局 」、「おみわ」三代目岩井粂三郎、「くわんの局」中村翫太郎

Japanese
Edo period
1855 (Ansei 2), 6th month
Artist Utagawa Kuniyoshi (Japanese, 1797–1861)


Catalogue Raisonné

Waseda db 005-0597

Dimensions

Vertical ôban; 35.1 x 24 cm (13 13/16 x 9 7/16 in.)

Accession Number

11.36628

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Imaginary performance (mitate).

No publisher’s mark on this impression.
 見立

Signed

Ichiyûsai Kuniyoshi ga
一勇斎国芳画

Markings

Censor's seals: aratame, Hare 6
No blockcutter's mark
改印:改、卯六
彫師:なし

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection