Man (10,000; = Ra) Brigade, First Group, Banchô: Actor Arashi Kichisaburô III as Asayama Tetsuzan, from the series Flowers of Edo and Views of Famous Places (Edo no hana meishô-e)

「江戸の花名勝会 万 一番組」 「番町」 「浅山鉄山 嵐吉三郎」(三代目)

Japanese
Edo period
1863 (Bunkyû 3), 12th month


Catalogue Raisonné

Kaikan sanjû shûnen kinen Kawanabe Kyôsai kinen bijutsukan cat. (2008), p. 101, #0760

Dimensions

Vertical ôban, creped; 20.3 x 14.8 cm (8 x 5 13/16 in.)

Accession Number

11.45396.8

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper, creped

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

MFA impressions: 11.42533, 11.45396.8 (creped, in album)

The term “flowers of Edo” (Edo no hana) can refer, among other things, to fires. The title panel for each print in this series shows the lanterns and identifying standard (matoi) for one of the brigades of firefighters (hikeshi) assigned to various districts. On the west side of the Sumida River were 48 brigades named for the symbols of the kana syllabary and grouped into 8 numbered groups (1 to 10, minus the bad-luck numbers 4 and 7). On the east side of the river, brigades were numbered and assigned to directional groups. Outlying districts were covered by special brigades, here designated “extra” (bangai). Each title gives the name or number of a brigade, its group, and its district, followed by the kabuki scene chosen to match it.

Signed

Toyokuni ga, in toshidama cartouche (bottom right); Gakôjin Tokyô (utsushi-e figures at top); Obake Kyôsai ga (ghost at top); Ôju Seisei Chikamaro (bottom left)
豊国画(年玉枠)、画工人都鏡、おばけ狂斎写、応需 惺々周麿

Markings

Censor's seal: Boar 12 aratame
No blockcutter's mark
改印: 亥十二改

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection