Mask (kepong or ges)

Several types of masks are associated with the malagan commemorative ceremonies. Large masks called matua with extravagant projections and superstructures were made for malagan display and appeared at the end of ceremonies to remove taboos. Groups of men wearing smaller, crested types such as this one roamed the village and performed similar tasks, "cleansing" the community and bringing life back to normal. These masks might represent tree-dwelling wild spirits who live in the bush. Flanges linking the ears to the jaw and the eyes to the mouth partially frame this mask's head. The open mouth reveals white and black teeth, intertwined frigate-bird and serpent forms compose the nose, and sea-snail shells animate the protruding eyes. The ribbed cane structure of the head is visible beneath the remains of vegetable fiber that once fully covered it. Like many New Ireland objects, the mask came to Germany before World War I. It bears the inscription "ME10259, Neu-Mechlenburg, Weber," Neu-Mecklenburg being German designation of the island. Its life history is one of the topics of the essay "From the South Seas."

Provenance

Collected in 1878 by German Consul Theodor Weber. Ex-collection of the Museum fuer Voelkerkunde zu Leipzig, Germany (accession number "ME 10259 Neu Mecklenberg, Weber" Deaccessioned in 1976/77. Purchased from Alain Schoffel Gallery, Paris, May, 1977. Given to the MFA by William and Bertha Teel in 1991.

Credit Line

Gift of William E. and Bertha L. Teel

Mask (kepong or ges)

Dimensions
36 cm (14 in.)
Medium or Technique
Wood, cane, fiber, pigments
Classification
Masks
Accession Number
1991.1072
On view
Arts of Oceania Gallery - 172

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