Morishita, between Shôno and Kameyama: (Actor Ichikawa Enzô I as) Hori no Ranmaru, from the series Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi)

「東海道五十三次之内 庄野 亀山 間 森下 堀の蘭丸」 初代市川猿蔵

Japanese
Edo period
1852 (Kaei 5), 10th month
Artist Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864), Publisher Kobayashi Taijirô (Bunseidô / Bunshôdô), Blockcutter Sugawa Sennosuke (Hori Sennosuke) (Japanese)


Catalogue Raisonné

Marks, Kunisada's Tôkaidô (2013), #T63-45C, p. 153; Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 7, Musee Guimet II (1990), fig. 63

Dimensions

Vertical ôban; 34.5 x 24 cm (13 9/16 x 9 7/16 in.)

Accession Number

11.43229

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Station no. 46-47.

MFA impressions: 11.43229, 59.1147.121

Signed

Toyokuni ga, in toshidama cartouche
豊国画(年玉枠)

Markings

Censors' seals: (Fuku), Muramatsu, Rat 10
Blockcutter's mark: Hori Sennosuke
改印:福、村松、子十
彫師:彫千之助

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection