Niekawa: Takenouchi no Sukune and Umashiuchi no Sukune, from the series Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)
「木曾街道六十九次之内 熱川 武内宿称 弟甘美内宿称」
Thompson, Sixty-nine Stations (2009), #34; Shibuya Kuritsu Shôtô Bijutsukan, Ukiyoeshitachi no shinbutsu (1999), #36; Keyes, Ainsworth cat. (1984), #521; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S74.35
Vertical ôban; 35.2 x 24.2 cm (13 7/8 x 9 1/2 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
No. 34 in the series.
MFA impressions: 11.28999, 11.29009.35, 11.37092, 11.38972.35
Ichiyûsai Kuniyoshi ga
Censors' seals: Fuku, Muramatsu, Rat 6 (note: some other impressions have Rat 5)
No blockcutter's mark
Artist's seal: kiri
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection