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「名妓三十六佳撰 小いなの話 十九」
No. 19, Koina, from the series An Excellent Selection of Thirty-six Noted Courtesans (Meigi sanjûroku kasen)
「名妓三十六佳撰 小いなの話 十九」
Utagawa Kunisada I (Toyokuni III) (Japanese, 1786–1864)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Publisher: Tsutaya Kichizô (Kôeidô) (Japanese)
Japanese
Edo period
1861 (Man'en 2/Bunkyû 1), 4th month
Medium/Technique
Woodblock print (nishiki-e); ink and color on paper
Dimensions
Vertical ôban; 36.8 x 25.2 cm (14 1/2 x 9 15/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45312
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
C's Ukiyo-e Museum, http://homepage2.nifty.com/ukiyo-e/index.html
DescriptionMFA impressions: 11.42803, 11.45312
Signed
Ôju Toyokuni ga, in toshidama cartouche
応需豊国画(年玉枠)
応需豊国画(年玉枠)
Marks
Censor's seal: Chicken 4 aratame
No blockcutter's mark
改印：酉四改
彫師：なし
No blockcutter's mark
改印：酉四改
彫師：なし
Inscriptions小いなの話
まづしき人のむすめなりしが 富家より
よめにと こはるゝこと たびたびなれど をさ
なきころ ある人 相して このむすめ 他へ
とつがせず かはたけへしずめば おやこ もろ
ともに うかむせに あふ さちあらん と つげ
つることばを ふかくしんじ つゐに あそび
となりつるが はたして まずしきおや
はらから にはかに かみあがりにしとぞ
しら露や
くさにおくのは 艸の色
三亭春馬 記
まづしき人のむすめなりしが 富家より
よめにと こはるゝこと たびたびなれど をさ
なきころ ある人 相して このむすめ 他へ
とつがせず かはたけへしずめば おやこ もろ
ともに うかむせに あふ さちあらん と つげ
つることばを ふかくしんじ つゐに あそび
となりつるが はたして まずしきおや
はらから にはかに かみあがりにしとぞ
しら露や
くさにおくのは 艸の色
三亭春馬 記
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.