No. 2 (Sono ni): Sarutahiko, from the series The Cave Door of Spring (Haru no iwato)

「春磐戸 其二」

Japanese
Edo period
1820s
Artist Totoya Hokkei (Japanese, 1780–1850)


Catalogue Raisonné

McKee, J. Poetry Prints (Schoff cat., 2006), #54; Mirviss w/ Carpenter, Jewels of J. Printmaking (2000), #44; Mirviss, Frank Lloyd Wright Coll. (1995), #122; Rijksmus., The Ear Catches the Eye (2001), #63; Polster & Marks, Surimono (1980), p. 183

Dimensions

Shikishiban; 21.3 x 18.4 cm (8 3/8 x 7 1/4 in.)

Accession Number

11.19809

Medium or Technique

Woodblock print (surimono); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

Pentaptych: 11.19809 (CR), 11.19833 (R), 11.19834 (C), 11.19835 (CL), 11.19836 (L)

Poems for this sheet (CR) translated in McKee 2006, p. 155.

Inscription

Poem by Saiseitei Nanao: Hanamushiro/ mazu shikishima no/ michi hiraki/ isamashiki ka ya/ ume no shitakaze

Poem by Sekigentei Namio: Chihayaburu/ kamiyo o ima mo/ monogatari/ tari fusoku naki/ tori no ganjitsu
花_ まつしきしまの みちひらき いさましき香や 梅の下風  祭星亭七雄
千早振 神代を今も 物かたり たりふそくなき 鳥の元日  石原亭濤雄

Signed

Hokkei
北渓

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection