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No. 3 (Sono san): Ama no Uzume, from the series The Cave Door of Spring (Haru no iwato)


「春磐戸 其三」
Totoya Hokkei (Japanese, 1780–1850)
Japanese
Edo period
1820s

Medium/Technique Woodblock print (surimono); ink and color on paper
Dimensions Shikishiban; 21.2 x 18.6 cm (8 3/8 x 7 5/16 in.)
Credit Line William Sturgis Bigelow Collection
Accession Number11.19834
NOT ON VIEW
ClassificationsPrints

Catalogue Raisonné Rijksmuseum, The Ear Catches the Eye (2001), #63 (complete pentaptych); Polster & Marks, Surimono (1980), p. 183 (three sheets only)
DescriptionPentaptych, "11.19809, 11.19833-6": 11.19809 (CR), 11.19833 (R), 11.19834 (C), 11.19835 (CL), 11.19836 (L)
Signed Hokkei
北渓
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850 - d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: August 3, 1911)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.