Ottoman calligraphers often demonstrated their skills by writing different styles and sizes of Arabic script on rectangular sheets of paper, which were then mounted on pasteboard. This calligraphic panel containing Hadith, or sayings of the Prophet Muhammad, was composed using the thuluth style of script for the heading and naskh for the four small lines below. An illuminator used gold and vibrant blue and orange pigments to add quatrefoil patterns to the two decorative side panels. To make the verse markers, an illuminator used gold to paint large, expressive pinwheel medallions and ornately decorated them with pink, blue, and white pigments.

Throughout the 16th-18th centuries, individuals collected calligraphic panels from a variety of sources from the Ottoman, Safavid, and Mughal empires and assembled them, together with marbled papers, into accordion fold albums known as muraqqaʿ. This calligraphic panel is paired with a larger outer border made from marbled papers featuring concentric circles in shades of blue, gray, and red. To make the marbled paper on the reverse, the artist dropped vibrant pink, yellow, and blue pigments onto the surface of a tragacanth bath. Various instruments, such as a stylus and comb, were then used to create dynamic shapes on a visually undulating background.

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