Poem by Fujiwara no Yoshitaka, No. 50, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô; no series title on this design)
百人一首絵抄 「藤原義孝（ふじわらのよしたか） 五十番」
Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-50; another print in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
Vertical ôban; 37.6 x 25.4 cm (14 13/16 x 10 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
No. 50 in the series.
MFA impressions: 06.2547, 11.15456
Poem: Kimi ga tame/ oshikarazarishi/ inochi sae/ nagaku mo gana to/ omoikeru ka na
Ichiyôsai Toyokuni ga
Censor's seal: Watari
No blockcutter's mark
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection