Poem by Kôkamon'in no Bettô: Ashigaru Ichiemon, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)

「小倉擬百人一首 皇加門院別当 足軽市右エ門」

Japanese
Edo period
about 1845–48 (Kôka 2–Kaei 1)
Artist Utagawa Kuniyoshi (Japanese, 1797–1861), Publisher Ibaya Senzaburô (Dansendô) (Japanese)


Catalogue Raisonné

Herwig and Mostow, The Hundred Poets Compared (2007), #88; Robinson, Kuniyoshi: The Warrior-Prints (1982), list #S46.88

Dimensions

Vertical ôban; 36 x 24.7 cm (14 3/16 x 9 3/4 in.)

Accession Number

11.42981

Medium or Technique

Woodblock print (nishiki-e); ink and color on paper

Not On View

Collections

Asia, Prints and Drawings

Classifications

Prints

No. 88 from a series jointly designed by Hiroshige, Kunisada, and Kuniyoshi.

Inscription

Poem: Naniwa e no/ ashi no karine no/ hitoyo yue/ mi o tsukushite ya/ koiwatarubeki

なにはえの あしのかりねの ひと夜ゆえ 身をつくしてや こひわたるべき

忠義ハ堅き鉄脛に 一時七里蜂の争乱 夫トさしたる主家の凶瑞廻らバ 長浜北国道急ぐ心は 鎌倉へ翼も欲き鳥居本宿

Signed

Ichiyûsai Kuniyoshi ga

一勇斎国芳画

Markings

Censor's seal: Murata
No blockcutter's mark

改印:村田
彫師:なし

Provenance

By 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.

Credit Line

William Sturgis Bigelow Collection