Poem by Ryôzen Hôshi, No. 70, from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshô; no series title on this design)
百人一首絵抄 「良暹法師 七十番」
Kubo Tsunehiko and Sons Collection Ukiyo-e Hanga, Part II (2009), Edo #79-70; another print in the series: Hizô Ukiyo-e taikan/Ukiyo-e Masterpieces in European Collections 4, Victoria and Albert Museum I (1989), pl. 196
Vertical ôban; 36.6 x 24.5 cm (14 7/16 x 9 5/8 in.)
Medium or Technique
Woodblock print (nishiki-e); ink and color on paper
Not On View
No. 70 in the series.
Kôchôrô Toyokuni ga
Censors' seals: Muramatsu, Yoshimura
No blockcutter's mark
 Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
William Sturgis Bigelow Collection