Power figure (nkisi nkondi)
African, Kongo peoples, Democratic Republic of the Congo
Place of Origin: Democratic Republic of the Congo
61 x 30.5 x 20.3 cm (24 x 12 x 8 in.)
Medium or Technique
Wood, glass, iron nails, pigment, sacred material
Richard B. Carter Gallery (Gallery 171)
This sculpture, called nkisi nkonde, functioned as a hunter-healer of conflicts. The figure was commissioned, owned, and activated by the nganga specialist, who was trained and tested as a counselor or mediator skilled in treating afflictions of the body and spirit. Nails or blades were hammered into the work to seal a vow or to awaken its power to solve a problem or dispute. Whitened with pigment and leaning subtly forward, the figure has an open mouth suggesting the uttering of judgments, and mirrors in the abdomen and eyes to deflect danger.
About 1958, acquired from his grandfather by Dr. A. Reymond, Morges, Switzerland; 1960, sold by Dr. Reymond to Hans Hess (dealer), Basel. Private collection, Switzerland. 1978, acquired by Pace Primitive and Ancient Art, New York and sold to a private collector, New York. 1987, sold by Pace Primitive and Ancient Art to William and Bertha Teel, Marblehead, MA; 1991, year-end gift of William and Bertha Teel to the MFA. (Accession Date: January 22, 1992)
NOTE: Provenance information taken from a memorandum provided by Pace Primitive and Ancient Art (n.d.).
Gift of William E. and Bertha L. Teel