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「洛西御室仁和寺御境内風景并御山八十八ヶ所」
The Precincts of Ninna-ji Temple at Omuro in Western Kyoto, Together with the Eighty-eight Sacred Places on the Mountain (Rakusai Omuro Ninna-ji gokeidai fûkei narabi ni gozan hachijûhachi dokoro)
「洛西御室仁和寺御境内風景并御山八十八ヶ所」
Matsuda Rokuzan (Gengendô II) (Japanese, 1836–1903)
Japanese
Edo period
Medium/Technique
Copperplate etching; ink on paper
Dimensions
9.8 × 15.7 cm (3 7/8 × 6 3/16 in.)
Credit Line
William Sturgis Bigelow Collection
Accession Number11.45844.7
NOT ON VIEW
CollectionsAsia, Prints and Drawings
ClassificationsPrints
Catalogue Raisonné
Aoki et al., Kindai Nihon hanga (1998), p. 133, fig. 18
DescriptionFrom an album containing 25 prints, 11.45844.1-.25.
Signed
Dôban kokusen sho, Goyô Gengendô Rokuzan
銅版 刻鐫所 御用 玄々堂緑山
銅版 刻鐫所 御用 玄々堂緑山
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.