The god of wine and dramatic festivals, in full choral attitude, steps into a biga drawn by two Indian elephants with fringed cloths on their backs. He is supported by his companion the satyr Ampelos and attended by the complete Dionysiac train of Sileni, pans, satyrs, maenads, and the exotic animals of his triumph in India.

The inscription reads :M~VIBIO~M~FIL~LIBERALI~PRAET~M~VIBIVS~AGESILAVS~IVNIOR~NVTRICIO~SUO~FEC ("Marcus Vibius Agesilaus junior made (it) for Marcus Vibius Liberalis, son of Marcus, the praetor, his foster-father" ).

The condition is, generally speaking, superb, with the small breaks, missing limbs, and absent attributes apparent from illustrations. The surfaces, particularly of the nude or seminude figures, retain their high polish. There are no restorations of the kind that ruin so many sarcophagi. The sections cracked or broken through have been carefully rejoined, and the missing pieces of the lid hardly detract from the visual sweep and rhythm of the triumphal procession. The three-volume corpus of Dionysiac sarcophagi reveals that very few of these monuments of Greek art in the Roman Empire have their original (or any) lids preserved in any form or condition.