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Shawabty
Egyptian
New Kingdom or later Dynasty 18–24
1349–712 B.C.
Medium/Technique
Faience
Dimensions
Height x width x depth: 8.6 x 3.1 x 5 cm (3 3/8 x 1 1/4 x 1 15/16 in.)
Credit Line
Hay Collection—Gift of C. Granville Way
Accession Number72.1615
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis faience shawabty retains only small areas of its original light blue glaze. Most areas have been worn or flaked down to the underlying brown paste. The object depicts a figure wearing a tripartite wig and the dress of the living, particularly a pronounced, flaring kilt/skirt. Hands are crossed over the chest. Modelling is rough, and details are minimal.
An ancient Egyptian shawabty is a funerary figurine that was intended to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various length are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
An ancient Egyptian shawabty is a funerary figurine that was intended to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various length are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceBy 1836: Robert Hay Collection, Linplum, Scotland; 1863: to his son, Robert James Alexander Hay; 1868-1872: Way Collection, Boston (purchased by Samuel A. Way through London dealers Rollin and Feuardent, 27 Haymarket); 1872: given to the MFA by Samuel's son, C. Granville Way. (Accession date: June 28, 1872)