Requires Photography

Shawabty fragments of unidentified queen

Nubian
Napatan Period
750–270 B.C.


Findspot: Nubia (Sudan), Gebel Barkal, B 501

Dimensions

Overall: Wig 1.9 x 2.1 cm (3/4 x 13/16 in.) Overall: Leg 3.2 x 2.1 cm (1 1/4 x 13/16 in.)

Accession Number

20.2366

Medium or Technique

Faience

Not On View

Collections

The Ancient World

Classifications

Shawabties and shawabty boxes

This is two fragments, a wig and a leg, of a shawabty belonging to an identified queen. The female figure wears a bag wig. When complete this type consists of a figure with the arms crossed and the hands right over left. One hoe is held in the right hand resting on the left shoulder and the left hand holds a cord to a small bag slung over the right shoulder. The front right side of the leg is chipped off and the wig fragment is from above the left ear. The shawabty is uninscribed. The figure has a back pillar and a base.

The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.

Provenance

From Nubia (Sudan), Gebel Barkal B 501. 1920: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.

Credit Line

Harvard University—Boston Museum of Fine Arts Expedition