Shawabty of an unidentified queen
Napatan Period, reign of Tanwetamani
Findspot: Nubia (Sudan), Nuri, Pyramid 74
Overall: 6.6 x 2.5 cm (2 5/8 x 1 in.)
Medium or Technique
Not On View
This is a shawabty belonging to an unidentified queen. The female figure wears a tripartite wig. The shawabty is uninscribed. This mummiform shape does not have a back pillar, though it does have a base. Here the hands are opposed and the arms are not crossed. One hoe is held in the right hand and rests on the right shoulder, the left hand holds a cord to a small bag slung over the left shoulder. “N.M. 4” is written in black ink on the back of the figure. The chin, right elbow and left shoulder are chipped. There are small chips on the top and left side of the wig. There is also an indentation on the back of the wig.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, and poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nubia (Sudan), Nuri, Pyramid 74 (tomb of an unidentified queen). 1918: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition