Shawabty of Atakhebasken
Napatan Period, reign of Taharqa
Findspot: Nubia (Sudan), Nuri, Pyramid 36
Overall: 11.2 x 3.5 cm (4 7/16 x 1 3/8 in.)
Medium or Technique
Not On View
This is a box of fragments of a shawabty of Queen Atakhebasken. When complete this type consists of the following: The female figure wears a tripartite wig. The shawabty is uninscribed. Here the hands are opposed and the arms are not crossed. In each hand the figure holds a hoe. In addition the left hand holds a cord to a seed bag which is slung over the left shoulder. The object was broken in three pieces, two of which are mended. The body is a greenish color and the wig is painted black. The figure is very worn all over and many bubbles are present in the glaze on the back. There is a small inclusion in the right leg. The top right of the wig is chipped. The figure is encrusted with mud.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
From Nuri, Pyramid 36 (tomb of Atakhebasken). 1917: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
Harvard University—Boston Museum of Fine Arts Expedition