Requires Photography

Shawabty of Queen Artaha

Nubian
Napatan Period, reign of Aspelta
King Aspelta 593–568 B.C.


Findspot: Nubia (Sudan), Nuri, Pyramid 58

Dimensions

Largest fragment: Overall: 8.7 x 4.6 cm (3 7/16 x 1 13/16 in.) Smallest fragment: Overall: 0.9 x 0.6 cm (3/8 x 1/4 in.)

Accession Number

21.16393

Medium or Technique

Faience

Not On View

Collections

The Ancient World

Classifications

Shawabties and shawabty boxes

This is a bag of fragments of one or more shawabtys of Queen Artaha. When complete this type consists of the following: The female figure wears the queen’s vulture headdress over the tripartite wig. The arms are not crossed, the hands are opposed. In each hand the figure holds a hoe. In addition the left hand holds a cord to a seed bag which is slung over the left shoulder. There are seven horizontal lines of incised text encircling the body. The text is framed and there is a narrow blank area up the center of the back. This mummiform shape does not have a back pillar or base. The bag consists of one back of the wig fragment and three other, unidentified fragments.

The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, and poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a “Shawabty Spell,” of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.

Provenance

From Nubia (Sudan), Nuri, Pyramid 58 (tomb of Queen Artaha). 1918: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.

Credit Line

Harvard University—Boston Museum of Fine Arts Expedition