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Shawabty of Queen Arty
Nubian
Napatan Period, reign of Shebitka
712–698 B.C.
Findspot: Nubia (Sudan), el-Kurru, Pyramid 5, debris between Chambers A and B
Medium/Technique
Faience
Dimensions
Overall: 8.4 cm (3 5/16 in.)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
Accession Number21.12886
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis is a shawabty of Queen Arty, daughter of Piankhy, sister-wife of Shebitka. The male figure wears the king's Nemes headdress with uraeus and has a long beard. The shawabty is uninscribed. This mummiform shape does not have a back pillar or base. The arms are not crossed, the hands are positioned right above left. The object was broken into more than sixteen pieces and is not mended. From the waist down the object is broken into more than fifteen fragments.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods.
ProvenanceFound in debris, unregistered. From Nubia (Sudan), el-Kurru, Pyramid 6 (tomb of Queen Arty), washed into debris between Chambers A and B. 1919: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of the Sudan.
(Accession Date: September 8, 2006)
(Accession Date: September 8, 2006)