Advanced Search
Requires Photography
Shawabty of Queen Khensa
Nubian
Napatan Period, reign of Piankhy (Piye)
743–712 B.C.
Findspot: Nubia (Sudan), el-Kurru, Pyramid 4 (tomb of Queen Khensa), chamber debris
Medium/Technique
Faience
Dimensions
Overall: 8 cm (3 1/8 in.)
Credit Line
Harvard University—Boston Museum of Fine Arts Expedition
Accession Number21.12709
NOT ON VIEW
CollectionsAncient Egypt, Nubia and the Near East
ClassificationsTomb equipment – Shawabties and shawabty boxes
DescriptionThis is a shawabty of Queen Khensa, daughter of Kashta, sister-wife of Piankhy. The male figure wears a tripartite wig and has a long beard. The shawabty is uninscribed. No hands or implements are depicted. The object was broken in two pieces and is not mended. The head is missing.
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods."
The ancient Nubians included shawabtys in their tombs only in the Napatan Period, about 750–270 B.C. These funerary figurines are based on Egyptian shawabtys, but differ from them in many features of their iconography. For instance, the known Nubian examples are only from royal tombs. Also, they have unique texts, implements, poses and are known to have the largest number of shawabtys included in one tomb. Their function, it is assumed, was the same as that of the Egyptian shawabty, namely to magically animate in the Afterlife in order to act as a proxy for the deceased when called upon to tend to field labor or other tasks. This expressed purpose was sometimes written on the shawabty itself in the form of a "Shawabty Spell," of which versions of various lengths are known. Shorter shawabty inscriptions could also just identify the deceased by name and, when applicable, title(s). However, many shawabtys carry no text at all. The ideal number of such figurines to include in a tomb or burial seems to have varied during different time periods."
ProvenanceFrom Nubia (Sudan), el-Kurru, Ku 4 (tomb of Queen Khensa), chamber debris. 1919: excavated by the Harvard University–Boston Museum of Fine Arts Expedition; assigned to the MFA in the division of finds by the government of Sudan.
(Accession Date: May 21, 2007)
(Accession Date: May 21, 2007)